SS25_L2 presents a global collective of artists whose works traverse the boundaries of technology, fashion, and traditional media.

Featuring AI-generated art, abstract compositions, glitch aesthetics, datamosh manipulation, and cutting-edge fashion design, the exhibition reveals a profound dialogue between algorithmic intelligence and human creativity.

The AI art pieces, with their generative processes, evoke questions of authorship and machine consciousness, while abstract works deconstruct form and color to articulate a heightened sensibility of materiality and perception.

Glitch art and datamosh disrupt the pristine surfaces of digital media, subverting the illusion of technological perfection and exposing the latent errors and anomalies within the system.

Photography, both analog and digital, confronts the viewer with fragmented narratives of memory and identity, underscoring the precariousness of the image in an age dominated by visual hyperreality.

Fashion design, woven into the fabric of this exhibition, pushes the boundaries of wearable art, transforming garments into sculptural, conceptual expressions that challenge both aesthetic conventions and the notion of the body as a canvas.

In this showcase, the exhibition invites a multifaceted exploration of art as a fluid, ever-evolving language, where the virtual and the physical coalesce in dynamic and provocative forms.

Ranxdeer’s use of negative space throughout the show is both clever and disarming. The artist often leaves vast swaths of untouched canvas or wall, allowing viewers to project their own thoughts and emotions into these empty spaces. The voids in these works become as significant as the sparse objects or lines placed within them.

"My name is 0nastiia, and I’m a surrealist artist. I’ve worked with painting and video art, but now my surreal world comes to life through neural networks. I love blending techniques like photography, video, and AI. I don’t rely much on prompts, my AI creations are based on pre-prepared shots I’ve crafted myself."

Anton Dubrovin (MCHX) Digital visual artist, born in Kazakhstan. Anton explores the interplay of energy, emotions, nature, spirituality, and technology through abstraction and minimalism. Drawing inspiration from color-field painting, light art, op-art, and internet art, he creates works characterized by vibrant color fields, soft textures, and gradients. Using coding, graphic tools, and AI, Anton develops meditative animations and abstract images that inspire viewers, offering a space for reflection and a deeper connection to something great.

Vitek animations that explore the dark, drawing inspiration from the less appealing visual aspects of roguelike games and presenting the ideas as Abstract GIFs filled with captivating and satisfying motion.

The Organomorph Fashion Show is an AI project that reimagines the human form, challenging perceptions of perfection and imperfection. It explores how what one may see as grotesque can be beautiful in another's eyes. Organomorph began as a folder I created two years ago, filled with the "imperfect" AI-generated images I produced using Stable Diffusion and Midjourney. As AI advanced in photorealism and anatomical accuracy, it became increasingly difficult to generate these so-called imperfections. To counter this, I developed custom models and LoRAs trained on my own dataset—each iteration evolving from previous generations, refining my ability to create the images I envisioned. In this way, Organomorph is not just a project but an ongoing evolution.