shay

Skeleton Bloom

Kim Van Vuuren 

'The artwork was inspired by the Diphylleia Grayi, or ‘Skeleton Flower’ because of the fact that when it rains its petals turn from being an opaque white to almost transparent. When saturated, it looks like a spindly ice sculpture. But once it stops raining, the skeleton flower reverts back to its original state.'

3D by Adriana Mora 
Sound-Design by RALP 


Skeleton Bloom 

breathless

ioulex

edition of 1

in camera double exposure photograph
6x7 Tri-X

4000px by 2666px

breathless #3

breathless #7

edition of 1

in camera double exposure photograph
35mm Tri-X

4000px by 2666px

breathless #8

Apart from you
no one could know
the edges of you, the edges of me.
Nothing between us
but mountains with valleys and villages,
grass and trees.

A part of me,
maybe you could see
what you wanted.


in camera double exposure photographs 
shot in the French Alps
6x7 and 35mm Tri-X 
 
Si vous n'aimez pas la mer, si vous n'aimez pas la montagne, si vous n'aimez pas la ville, allez vous faire foutre!  
-J.-P. Belmondo in Godard's Breathless, 1960

Shunfan

Liminal Space

Georgina Hooper

Wanderer in an Ocean of Mist

Professor Dong Ya’s review of Liminal Space (extract)
 
“Georgina’s series of works express the integration of time and space. It is difficult to draw great mountains and rivers with limited ink. Georgina’s painting strokes, in which ink and water are blended together, are vivid and lively, simultaneously dry and wet. Her ethereal and flowing compositions from the scatter perspective with the eye of her heart is the spirit of Chinese ink and water with the form of Western modern constructivism.
 
The internalised emotions of the human mind can interact with external objects and can be translated in the form of paintings through the externalisation of the human heart. The focus of her paintings lies in this philosophy, like that of the moon in the water and the image in the mirror. This is the sublime out of the painting, which is liminal.”

5440 x 5440
5MB

Wanderer in an Ocean of Mist

Swooping Starlings in Murmuration

Professor Dong Ya’s review of Liminal Space (extract)
 
“Georgina’s series of works express the integration of time and space. It is difficult to draw great mountains and rivers with limited ink. Georgina’s painting strokes, in which ink and water are blended together, are vivid and lively, simultaneously dry and wet. Her ethereal and flowing compositions from the scatter perspective with the eye of her heart is the spirit of Chinese ink and water with the form of Western modern constructivism.
 
The internalised emotions of the human mind can interact with external objects and can be translated in the form of paintings through the externalisation of the human heart. The focus of her paintings lies in this philosophy, like that of the moon in the water and the image in the mirror. This is the sublime out of the painting, which is liminal.”
 
5353 x 5373 px
3.6 MB

Swooping Starlings in Murmuration

Hermitude in Rain Soaked Mountains

Professor Dong Ya’s review of Liminal Space (extract)
 
“Georgina’s series of works express the integration of time and space. It is difficult to draw great mountains and rivers with limited ink. Georgina’s painting strokes, in which ink and water are blended together, are vivid and lively, simultaneously dry and wet. Her ethereal and flowing compositions from the scatter perspective with the eye of her heart is the spirit of Chinese ink and water with the form of Western modern constructivism.
 
The internalised emotions of the human mind can interact with external objects and can be translated in the form of paintings through the externalisation of the human heart. The focus of her paintings lies in this philosophy, like that of the moon in the water and the image in the mirror. This is the sublime out of the painting, which is liminal.”
 
5440 x 5440 px
3.9 MB

Hermitude in Rain Soaked Mountains

Erik Bulckens

Liminal Space explores the threshold between the visible and invisible word, attempting to push the boundaries of the veil of the metaphysical realm. It is inspired by experiences in nature and was painted on delicate rice paper utilising traditional Chinese painting techniques and brushes. Each painting is composed of indelible mark marking and ancient Chinese calligraphic strokes to represent the unseen and intangible energies surrounding us and within us. 

Duarte Figueiredo

DRAWING & A PICTURE

LOVEBEING

Guy Norcal and LOVEBEING | .gif | 2022 

The typographic work "LIFE I " by Guy serves as the foundation for the collage and .gif by LOVEBEING in this collaborative work.

View the whole Seasons Collection by Guy here:  

https://opensea.io/collection/seasonsoflife1

breathless

breathless #3

breathless #7

breathless #8

Liminal Space

Wanderer in an Ocean of Mist

Swooping Starlings in Murmuration

Hermitude in Rain Soaked Mountains

DRAWING & A PICTURE

GUY NORCAL x LOVEBEING | LIFE I

C O M M O N G R O U N D

POSSIBILITY OF POSSIBILITY

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