A girl walks down a road, a massive black lion by her side. Their forms flicker and distort, caught in a digital haze of glitch art—pixels stretch, colors invert, reality frays at the edges. The road, once solid, now pulses with fragmented light, breaking apart like corrupted data. The girl’s expression is serene, her presence both human and digital, merging with the lion, which flickers between shadow and static. This scene blurs the boundaries between the real and the virtual, questioning perception itself. Is she lost in a broken simulation, or has the world itself glitched? In this surreal, fractured existence, she and the lion stride forward—glitches in reality, or its last remnants?