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Angel's Trumpet, Origin Brazil. Photograph Bay of Kotor, Montenegro, 2022 #1/10

Minted on Dec 14, 2022
Owned by
@joellemctigue

Description

Historians linked Southern Slavic superstitions and particular religious practices to the Illyrians, who had tribes living in the Bay of Kotor during the 3rd century BCE. Several lores warn that unusual botanicals cast various misfortunes upon families as they turn "life upside-down."

The angel's trumpet's pendulous blooms become fragrant at night. The old lore is, perhaps, a lesson of danger. Each part of the flower, including the smell, is toxic. The plant contains a low-potency tropane alkaloid that induces hallucinations and euphoria, but exposure can lead to muscle weakness, convulsions, paralysis, memory loss, and death.

Over centuries, mariners returned to the Mediterranean with seeds and plantlings. In The Mediterranean Botanicals Collection: Bay of Kotor, I examine how the pursuit of empires, trade, legacy, medicine, religion, and aesthetics forged the coastal landscape of the UNESCO protected site.

The bay's naval fleet peaked at 300 ships to protect its prominent salt trade in the Middle Ages. But, its mariner history potentially traces back to the Balkan Bronze Age. Over millennia, great European empires (Roman, Ottoman, Venetian, Napoleon, Russian, and Austro-Hungarian) owned a piece of the Bay of Kotor for strategic and merchant gain.

Present-day, the Bay of Kotor strives for architectural revitalization and preservation while maintaining its wild beauty and traditions. Venice, Italy, continues to finance the restoration of Kotor's Venetian structures. Retired naval facilities around the bay have converted into five-star resorts and marinas welcoming some of the world's largest yachts. At sunset on July 22nd, sailors arrive for the custom known as fašinada, throwing rocks in the sea near Our Lady of the Rocks, a sailor-formed island near Pearst.

The Mediterranean Botanicals Collection: Bay of Kotor collection are manually-manipulated botanical photographs I took within Montenegro's Bay of Kotor. The work emulates stained glass to celebrate these roots of identity and nature through the contemporary window of technology.

Provenance