It is a photograph documenting the pressures of the nominal laws of nature, which reveal the production mechanism of the symbolic power, which has suddenly revealed the anthological accomplices of the society. An example of this photograph could be that Festus Okey, who entered the Beyoğlu police station, used it as evidence to show that he had been wounded at the police station and could provide this opportunity to invalidate the domination mechanisms by displaying them.

Hamza Kirbas (1992) lives and works in Istanbul, Turkey. After having graduated from the Faculty of Fine Arts of Batman University in 2017 he proceeded in his art education with a Master's Degree in Painting at Hacettepe University Institute of Fine Arts. He was nominated for the 2018 Blooom Art Award. His works have been exhibited in numerous shows internationally for instance in Turkey, the UK, the US France, Hungary, Germany, Ecuador, Greece and Italy.