errors

fruttaeverdura

error as 3D technique
error as graffiti technique
error as a knockout in public at the local supermarket

Graffiti over render / 4000x4000 px / 2022

misunderstanding

error as 3D technique
error as graffiti technique
error as screaming to get customers

Graffiti over render / 4000x4000 px / 2022

marketing

Big1.eth

marker on paper, spraypaint on a wall / 4000 x 4000 px / 2023

fruits

Mahendra Nazar

/ 03

Take a little break.  
Through highs and lows .  
Act quite nonchalant.

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Mahendra Nazar 2022

Nonchalant

diela maharanie

/ 04

Something fishy. 
Sudden appearance of hope.  
BLESS.. the never-ending offering.

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Mahendra Nazar 2023

Fishy

skisinjeans

/ 17

Gathering time. 
Bowl of chips.  
Magnificent beings.

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Mahendra Nazar 2023

Chips

visual explorations series of Mahendra Nazar through his iconic characters ZZ the Clumsy and Boldmen

1 of 1 collection minted in Manifold

sashaku

Promise Land v.2

Gregory Eddi Jones

In Promise Land (2018-2021), American post-photographic artist Gregory Eddi Jones uses T.S. Eliot's modernist masterpiece, The Waste Land (1922), as its point of departure. In borrowing literary strategies from the poem and translating them into visual form, Promise Land is positioned as a collection of pictures that picks up where The Waste Land left off over 100 years ago. 

To produce this work, Jones appropriated and re-authored common stock and advertising photographs as his source material. From this material, the artist engages in strategies of digital composite and physical ink manipulation to craft a type of picture that is untethered from the traditional burdens of photography's relationships to truth and belief. 

Throughout Promise Land, Jones pulls inspiration from a range of influences including folk pictures and fairy-tale illustrations, to surrealism, stories of myth, common advertising tropes, and photo-historical traditions. The resulting project sums up to a visual symphony that harmonizes with a fracturing, "post-truth" contemporary world. Promise Land revisits what many consider to be the greatest poem of the twentieth century while simultaneously reimagining what photography can be.

Maestro Finito

Suns Set

The Philosopher

In Promise Land (2018-2021), American post-photographic artist Gregory Eddi Jones uses T.S. Eliot's modernist masterpiece, The Waste Land (1922), as its point of departure. In borrowing literary strategies from the poem and translating them into visual form, Promise Land is positioned as a collection of pictures that picks up where The Waste Land left off over 100 years ago. 

Update: The majority of available works have been delisted and vaulted by the artist. Private inquiries welcome.

Taurus Ryan

inexplicable images

zach lieberman

textile vibe

Lewes Herriot

An enantiodromiatic spell in 23 parts.  Selected works from my first IRL exhibition, which was an attempt to turn something traumatic into something useful.  These pictures are very personal to me and each one is a representation of not only Elspeth's adventure into the outer pattern of existence but events in my life twisted into a drawing.  May each one bring good luck.

The Dark Inventory

NEURAL RAIN

TRUE COLORS

tkzs.eth

Who knows what secrets and surprises await you within these digital walls?

The Mystery Box

Roger Haus

At the heart of “HAI” is the concept of AI Manga, coined by Roger Haus, a new hybrid form & genre that blends manga with other art styles through the use of the AI. AI Manga challenges traditional notions of authorship & creativity. Each piece is a visual masterpiece that portraits the soul of AI art. The title "HAI" not only reflects the Japanese word for "yes" or "I understand," but also references the "AI" within the series. "HAI" is not just a word, it's a whole universe of understanding. 
