A reinterpretation of Francis Bacon's 1954 painting "Figure with Meat" using General Adversarial Networks (GAN) and Adobe Photoshop_____From the Art Institute of Chicago: "Bacon often referred in his paintings to the history of art, interpreting borrowed images through his own bleak mentality. Figure with Meat is part of a now-famous series he devoted to Diego Velázquez’s Portrait of Pope Innocent X (c. 1650; Galleria Doria-Pamphilj, Rome). Here he transformed the Spanish Baroque artist’s iconic portrayal of papal authority into a nightmarish image, in which the blurred figure of the pope, seen as if through a veil, seems trapped in a glass-box torture chamber, his mouth open in a silent scream. Instead of the noble drapery that frames Velázquez’s pope, Bacon is flanked by two sides of beef, quoting the work of seventeenth-century Dutch artist Rembrandt van Rijn and twentieth-century Russian artist Chaim Soutine, both of whom painted brutal and haunting images of raw meat. Framed by the carcass, Bacon’s pope can be seen alternately as a depraved butcher, or as much a victim as the slaughtered animal hanging behind him."