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In “Tudo que é sólido…” [All that is solid...] the narrative relationships established by the work's imagery vocabulary (white marble, cubes, landscapes devastated by agribusiness) raise issues related to territorial occupation, progress, and ecocide. The concepts are amplified by the situation of suspension of this cube (symbol of modernity) which, through the photographic gesture of appropriation of the instant, remains intact in the air in the same step that falls for the eternity;

Tudo que é sólido... - João Angelini