Sean Bonner

Using my famous Tokyo Crow, I made 3 successive generations. Each built with the results of the previous. My work fed to DALL-E, then DALL-E's variations fed back into itself. The exploration of stripes & movement is exciting and the resulting visuals ever more haunting. At times suggestive of the original crow, at others almost hinting at something else. To me these feel like an old duplicated VHS tape, recorded over several times creating a warping and burred reminder of what was once there.

Crow Variations