A mutation emerges from the canvas between Leonardo's serene Mona Lisa and Picasso's anguished mourners. In the creation of this piece, my hand moved intertwining two worlds with trembling and determined brushstrokes. The central figure, a kind of reinvented Mona Lisa, carries with her the enigmatic calm of Leonardo's work, but her face, divided and distorted, is a clear nod to the broken forms and raw emotions of the women Picasso portrayed in his moment of mourning

The duality is palpable: there is serenity in the figure's posture, with hands delicately crossed over a closed book, perhaps symbolizing knowledge or internal reflection. Yet the dissonance of her split expression, with one eye looking toward the storm within and the other looking out at the viewer, speaks of an internal struggle, a collision of eras and styles. This contrast extends to the use of color, where the warmth of earth tones meets the cold of midnight blue, creating a familiar and disconcerting atmosphere.