The section has changed significantly already. The replication of the 3 Prophets was necessary and so the protestors in this study are tagged over. One cannot after the modern period work with slaughter as symbol without acknowledging both Chiam Soutine and Francis Bacon. The existential scent of death anxiety looms in both of the masters. Bacon proclaimed himself an Atheist, Soutine a progressive Jew, and I myself feel most comfortable with agnostic. But the drama around Jerusalem falls always between the prophets and the peril of their proximity within the old walls.